The camera helps by being delightfully nosy, zooming in on areas of interest so you can pan around to the sides or back, getting your fingers dusty digging through old belongings.Īs a result, the puzzles you have to solve also feel more grounded and detail-oriented (and less obtuse) than in many classic point and click adventures ( Syberia games are generally strong in this respect). Whether you’re poking your way around one of its machines, fiddling with switches and intricate locks, or scouring an abandoned bedroom rifling through drawers, you’re always pushing, pulling, twisting. The World Before is very hands-on, not so much a point and click adventure as a point, click, drag, turn, dial, shove, etc. One of the game’s strengths, then, is the way it asks you to interact with these inventions, and other more ordinary objects. Vaghen is full of the latter, revealed in all its glory early on as Dana plays the piano in the grand Musical Square, accompanied by robotic violinists and a display of mechanical swans. For the uninitiated, the world in Syberia is largely the same as our own, aside from a smattering of made up places, legendary creatures and clockwork technology. Thankfully, this quaint old town has been fairly well preserved, clinging on to its early 20th century Parisian style, and wealth of ornate automatons. Kate visits locations frequented by Dana over 60 years before, seeking clues in any remnants and memories that endure. Much of the story for both characters takes place in and around Vaghen, a fictional city in a fictional country somewhere between Germany and Switzerland. The plot of The World Before is split across two timelines, with Kate in 2005 attempting to figure out what happened to this young woman, Dana Roze, and segments where you play Dana herself, starting in pre-war central Europe. For our anchorless hero that poses a question which can’t be left hanging. In this case, in the process of escaping enslavement in a Russian salt mine (where she ended up after the events of Syberia 3) and learning of the death of her mother, she finds an old painting of a girl who looks quite a lot like her. The World Before runs with that lust for knowledge with more gusto than ever – certainly more than the lacklustre Syberia 3 – with these intricate machines but also a tightly-woven mystery that demands to be unravelled.Īs ever, you accompany perennial protagonist Kate Walker, now an investigative drifter who stumbles into intrigue and turns it into obsession. This kind of amateur handymanning is at the heart of an adventure series that, when you boil it down, is all about insatiable curiosity, a need to understand what’s out there, how things work and what connects people.
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